A Visit to the Jewish Museum of Paris

A highlight of our trip to France was the Museum of Art and History of Judaism (Musée d’art et d’histoire du Judaïsme) in Paris.

It’s well laid out and can be enjoyed by Jewish and non-Jewish visitors alike. I’m still traveling, so there’s no time for a long post, but I wanted to share 19 photos that I hope will make readers want to visit this wonderful museum.

Let’s start with Purim items, and begin with one of the older pieces in the museum:

A Purim charity collection box from pre-Expulsion Spain: it dates from 1319.

 

A Purim noisemaker from late-19th-century France, depicting Haman leading Mordecai through the streets of Shushan.

 

One of the many Megillat Esther scrolls on display.

 

A colorful, hand-decorated Megillah.

 

Rooms are organized thematically. Behind the Purim area sits this Chanukah room.

 

Chanukah menorah, 18th-century Poland.

 

A Jewish wedding, circa 1780, attributed to the Italian artist Marco Marcuola.

 

Chumash (Pentateuch), mid-1650s, Amsterdam. Note the decorative touches on the edge of the pages.

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“Feminism has not yet reached us”: Micca Alcalay, a Bosnian Sephardic woman in 1904 Austria

The ideal for women of my race is education, instruction, and raising girls to be good housewives. In Bosnia, all the young [Sephardic] women now speak three languages: Spanish, German and Slavic, which is the national language. At convent schools, they learn to do beautiful handiwork. A nun in Sarajevo told me that her Jewish students are the most diligent, clever girls she teaches, and they learn German easily. Feminism has not yet reached us here; man is what he is: the king of the world.

—Micca Gross Alcalay, 1904


Micca Gross Alcalay, formal portrait circa early 1900s.

This blog often presents newly translated first-person accounts of Jewish life in the late 19th and early 20th centuries. Today’s “guest blogger” from the past is Marietta “Micca” Gross Alcalay, a Sephardic Jew born in Bosnia in the 1860s or 1870s. She lived most of her adult life in Trieste, Austria (now Italy). Below, she will tell us about facets of everyday life that history books often skip: greetings, songs, children’s games, a wedding tradition, and attitudes towards women.

Cultured and well-read, she had Continue reading

Jewish women beyond the balcony, Pt. 2: A forerunner to the modern Bat Mitzvah

Bar mitzvah ceremonies for boys have existed for hundreds of years. There were sporadic attempts to create comparable rituals for girls, but none had a lasting impact until the 1800s.

The main precursor to modern bat mitzvahs was the nineteenth-century annual Religious Initiations for girls, mainly in certain German and Italian synagogues, but also less commonly in other countries such as Poland. Today, the Between Wanderings blog explores these “proto-Bat Mitzvahs” through letters published in Italian Jewish magazines around 1900. They tell us much about attitudes towards women and gender, even in the relatively progressive temples that embraced these ceremonies.

Let’s start with the words of Emma Boghen Conigliani, a noted educator and literary scholar who belonged to the Jewish Temple of Modena, Italy. This letter appeared in the 1899 volume of Il vessillo israelitico, starting on page 185:


Synagogue in Modena, Italy

The Tempio Israelitico di Modena (Jewish Temple of Modena), built in 1873. [2008 photo by Dread83, distrib. under GNU Free Doc. License.]

For several years, a beautiful new female celebration has been brightening Jewish temples: the religious initiation of girls. This ceremony, held in Verona on the first day of Passover starting in 1844, was introduced in Modena a few years ago by our revered and devoted Rabbi, Mr. Giuseppe Cammeo. He is deservedly well regarded by our whole Congregation, which he has served excellently, instilling all the moral and religious values that are the hallmark of every good citizen.

Synagogues in Ferrara, Venice, Milan, Rome and Trieste followed this laudable example, and it would Continue reading